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Reproduced from Music Week 7 March, 1998
Dance powers the rebirth of Jive
by Yinka Adegoke
An active A&R policy and some bullish business deals have seen Jive
emerge as one of the leading indies.
A determination to break new acts and a series of smart business moves
have led to a turnaround in the fortunes of UK indie label Jive.
Last year, Jive was one of the UK's top indies, claiming five singles in
the year-end Top 100. Its share of the singles market increased
year-on-year to 3.1% from 0.8%, largely on the back of the R Kelly
number one, I Believe I Can Fly, and three Backstreet Boys hits, while
the album Backstreet's Back helped quadruple its share in the albums
market to 0.8%.
The start to 1998 has been equally strong. Already there has been a
number two single with Backstreet Boys' All I Have To Give, the album
Backstreet's Back has gone double platinum, Will Mellor's debut single
When I Need You entered the chart at number five and Steps' debut
single, 5,6,7,8 has so far sold more than 275,000 units and is the
biggest selling single in the Nineties not to have made Top 10.
Meanwhile, Solid HarmoniE's debut single, I'll Be There For You, has hit
the Top 20, and Joe, Kaleef and Tupac Shakur have also each had Top 30
success.
Jive's recent performance is in stark contrast to its profile in the
early Nineties, when its name was associated with back catalogue, the
odd hit including Boom Boom Shake The Room by Fresh Prince & Jazzy Jeff
(number one in 1993) and budget-priced compilation releases featuring
some of its early Eighties hits.
The turnaround follows a series of changes at Jive, not least a renewed
determination to break artists. R Kelly's She's Got That Vibe single was
released four times before peaking at number three in 1994 and the
artist has now had five Top 20 hits.
Jive has also struck a joint venture deal with Pete Waterman's PWL
production company. Signed 18 months ago, the deal has already resulted
in hits from Solid HarmoniE, Will Mellor and Steps.
Jive managing director Steve Jenkins says, "I predicted the current
explosion in pop music two years ago when I signed the deal with Pete
and I reckon it will be around for another two years at least."
Other changes include taking an international approach to A&R and
producing US acts, including Backstreet Boys, across Europe. A new
management structure has also emerged following the appointment of four
new heads of department - Adam Fisher (promotions), Peter Berry (press),
Hans Griffiths (sales and marketing) and Scott McLaughlin (A&R), who
joins from dance label Multiply where he was involved with acts
including Sash! [see breakout].
Jenkins, who joined Jive in 1989 from Impulse, says, "We're not bothered
by how others view Jive or how much market share we gain. Our priority
is to make good records that people want to buy."
Jenkins believes one of Jive's strengths is the fact it has not lost
sight of its independent roots. "We still have the mentality of an
independent here," he says.
"I know what all our acts are up to anywhere in the world. I've already
listened to the first three finished tracks off Robert's [R Kelly] new
album which is due out in April," Jenkins adds.
Steps' manager Tim Byrne says, "It's been an incredible experience
working with Jive. Everyone takes a personal interest which we wouldn't
have got at a major." The majors might argue that last point, but few
could knock the success Jive's new approach has delivered. Yinka Adegoke
'I predicted the current explosion in pop music two years ago and I
reckon it will be around for another two years at least'
JIVE DANCIN'
When Scott McLaughlin signed up with Jive in January as head of A&R it
was a clear sign of a new focus for a label which is already
well-established in the R&B/hip hop and pop arenas.
McLaughlin immediately made his impact felt with the launch of the
Pepper dance label and plans to release 10-12 singles before the end of
the year.
McLaughlin was attracted to Jive because it is an independent with a
global structure and has A&R contacts worldwide, including head of
European A&R Martin Dodd in Benelux and Konrad von Loehneysen in
Germany.
He says, "I came to Jive to create a dance sensibility. Even though we
have a global infrastructure, we still operate on the scale of an
indie."
Managing director Steve Jenkins adds, "I would like to see our dance
area develop into an artist-led area. I think that in a couple of years
Steve will be a great real A&R man discovering great bands."

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